This segment delves into the realm of speculative allegations

and conspiracy theories surrounding Beyoncé and Erykah Badu,

particularly concerning accusations of involvement in witchcraft.

It recounts a past incident where Kimberly Thompson, a former drummer,

sought a restraining order against Beyoncé, alleging harassment and dark practices.

Furthermore, it introduces an American pastor, Tiphani Montgomery, who labeled Beyoncé a witch and rebuked Christians attending her concerts, insinuating that Beyoncé’s fans were part of a coven associated with alleged witchcraft.

Erykah Badu is also discussed, with references to urban legends surrounding her purported mystical abilities, particularly in matters of relationships. Badu dismisses these claims, asserting that her power stems from intellect rather than physical attributes.

The narrative later touches on conspiracy theories linking Beyoncé and Jay-Z to the Illuminati, citing instances such as Jay-Z’s hand signals and their use of religious symbolism in performances. These theories suggest a narrative of brainwashing and the establishment of a New World Order through their music and visuals.

There’s also mention of Beyoncé’s album “Renaissance” and its imagery, including symbols related to horses. Some theorists interpret these symbols as references to the Four Horsemen of the Apocalypse, implying an apocalyptic theme in Beyoncé’s work.

The text acknowledges the absurdity of these conspiracy theories while noting Beyoncé’s direct references to them in her lyrics. It adds a touch of humor by mentioning an Instagram comment claiming she is secretly Italian, highlighting the unfounded nature of these speculations.

Finally, the segment concludes by discussing a writer’s perspective on Beyoncé’s success, attributing it to her hard work, talent, and dedication, rather than supernatural affiliations or involvement with the Illuminati.